This week we explore how to optimize the surface appearance of metallic and/or highly glossy surfaces. This applies to opaque ceramics as well, but not for glass, as glass is transparent. For this assignment, create two portfolio worthy images that explore the following two lighting designs and arrangements.
Above: Nice Lighting
Below: yucky lighting
1) Vertically-oriented, standing metallic object(s) appropriately lit in front of correctly lit high key background. Remember, set the background light to be 2-3 stops overexposed. Keep the background at least 3-6 feet away from the subject platform to maintain separation.
With the class example above, a grid spot was used for the background. This created a nice fall-off/vignette effect on the edges of the image, almost like it was burned-it (it wasn't).
Use a large/broad light source for the subject, and reflectors as required. A reflective table surface can also be nice...as you can see in the example, the effect is interesting. We used a piece of clear plexi on the sheet metal. The color accents can be created with long strip of color construction paper or similar. A dark cloth under the plexi will enhance the reflections further. Generally, the camera angle will be straight on and from the front.
With the class example above, a grid spot was used for the background. This created a nice fall-off/vignette effect on the edges of the image, almost like it was burned-it (it wasn't).
Use a large/broad light source for the subject, and reflectors as required. A reflective table surface can also be nice...as you can see in the example, the effect is interesting. We used a piece of clear plexi on the sheet metal. The color accents can be created with long strip of color construction paper or similar. A dark cloth under the plexi will enhance the reflections further. Generally, the camera angle will be straight on and from the front.
2) Family of Angles exploration. Set metallic object(s) in interesting table-top design with complementary surface treatment. It can help if the surface is non-reflective, or less so than your objects. The camera should be positioned to be looking down on the subject. Place the large light source (generally soft box) within the family of angles so that surface reflections are maximized. The class example looked much better in B&W...you can do the same, of course, if it serves you.
The images will be evaluated on:
- Lighting design, especially handling of reflections
- Quality of still life / background arrangement
- Correct exposure/light intensities
- Camera craft (focus, etc.)
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